Rugs & Wall Hangings

The Milano Rug defines our mid-century design heritage. It is hand woven in our workshop using the highest quality yarns.

The rug was first produced in 1951 when Gerd Hay-Edie collaborated with furniture designer Robin Day to dress a room for 'La Triennale di Milano'. Robin Day went on to exhibit Gerd’s new design at the Festival of Britain. He exhibited The Milano Rug alongside his own furniture, etched panels by Geoffrey Clarke, and ceramics by Hans Coper and Lucie Rie.

We honour the same materials and techniques Gerd used over sixty years ago to produce this rug true to the original. Its combination of three yarn types create a unique surface texture: the linen warp adds strength, while looped woolen yarn and unspun hand twisted fleece offer softness and warmth.

Approximate size185cm  x 120cm

Bespoke sizes can be woven to order, please contact for details

Linen, wool and unspun hand twisted fleece mix 

Delivery 2-4 weeks.

The Milano Rug defines our mid-century design heritage. It is hand woven in our workshop using the highest quality yarns.

The rug was first produced in 1951 when Gerd Hay-Edie collaborated with furniture designer Robin Day to dress a room for 'La Triennale di Milano'. Robin Day went on to exhibit Gerd’s new design at the Festival of Britain. He exhibited The Milano Rug alongside his own furniture, etched panels by Geoffrey Clarke, and ceramics by Hans Coper and Lucie Rie.

We honour the same materials and techniques Gerd used over sixty years ago to produce this rug true to the original. Its combination of three yarn types create a unique surface texture: the linen warp adds strength, while looped woolen yarn and unspun hand twisted fleece offer softness and warmth.

Approximate size185cm  x 120cm

Bespoke sizes can be woven to order, please contact for details

Linen, wool and unspun hand twisted fleece mix 

Delivery 2-4 weeks

The Milano Rug defines our mid-century design heritage. It is hand woven in our workshop using the highest quality yarns.

The rug was first produced in 1951 when Gerd Hay-Edie collaborated with furniture designer Robin Day to dress a room for 'La Triennale di Milano'. Robin Day went on to exhibit Gerd’s new design at the Festival of Britain. He exhibited The Milano Rug alongside his own furniture, etched panels by Geoffrey Clarke, and ceramics by Hans Coper and Lucie Rie.

We honour the same materials and techniques Gerd used over sixty years ago to produce this rug true to the original. Its combination of three yarn types create a unique surface texture: the linen warp adds strength, while looped woolen yarn and unspun hand twisted fleece offer softness and warmth.

Approximate size185cm  x 120cm

Bespoke sizes can be woven to order, please contact for details

Linen, wool and unspun hand twisted fleece mix 

Delivery 2-4 weeks.

Combining hand-selected fleece from local rare-breed sheep and traditional handweaving techniques, each of our Raw Fleece Wall Hangings is individually hand-woven and celebrates the natural tones and textures found in each unique fleece. Each Wall Hanging sits within a tonal group, similar, though not exactly matching the image shown.

The undyed fleece used in this design, by Karen Hay-Edie, is from several breeds of sheep native to the UK such as the Piebald Jacobs, Hebridean, Wendsleydale and Cheviot. The fibres are long and fine with good lustre. Gradations of tone throughout the undyed fleece give wonderful depth of colour. Varying thicknesses within the hand-twisted fleece combine with speckly berber yarns and linen to create great textural interest.

Combining hand-selected fleece from local rare-breed sheep and traditional handweaving techniques, each of our Raw Fleece Wall Hangings is individually hand-woven and celebrates the natural tones and textures found in each unique fleece. Each Wall Hanging sits within a tonal group, similar, though not exactly matching the image shown.

The undyed fleece used in this design, by Karen Hay-Edie, is from several breeds of sheep native to the UK such as the Piebald Jacobs, Hebridean, Wendsleydale and Cheviot. The fibres are long and fine with good lustre. Gradations of tone throughout the undyed fleece give wonderful depth of colour. Varying thicknesses within the hand-twisted fleece combine with speckly berber yarns and linen to create great textural interest.

Combining hand-selected fleece from local rare-breed sheep and traditional handweaving techniques, each of our Raw Fleece Wall Hangings is individually hand-woven and celebrates the natural tones and textures found in each unique fleece. Each Wall Hanging sits within a tonal group, similar, though not exactly matching the image shown.

The undyed fleece used in this design, by Karen Hay-Edie, is from several breeds of sheep native to the UK such as the Piebald Jacobs, Hebridean, Wendsleydale and Cheviot. The fibres are long and fine with good lustre. Gradations of tone throughout the undyed fleece give wonderful depth of colour. Varying thicknesses within the hand-twisted fleece combine with speckly berber yarns and linen to create great textural interest.

Combining hand-selected fleece from local rare-breed sheep and traditional handweaving techniques, each of our Raw Fleece Wall Hangings is individually hand-woven and celebrates the natural tones and textures found in each unique fleece. Each Wall Hanging sits within a tonal group, similar, though not exactly matching the image shown.

The undyed fleece used in this design, by Karen Hay-Edie, is from several breeds of sheep native to the UK such as the Piebald Jacobs, Hebridean, Wendsleydale and Cheviot. The fibres are long and fine with good lustre. Gradations of tone throughout the undyed fleece give wonderful depth of colour. Varying thicknesses within the hand-twisted fleece combine with speckly berber yarns and linen to create great textural interest.