Mourne Textiles
Salthill Tweed Cushion - M3
£145.00
Mourne Textiles
Salthill Tweed Cushion - M3
£145.00
This new luxurious cushion collection, using 100% wool, originates from a design that Gerd Hay-Edie created in 1957 for Dublin architect Michael Scott.
The range is available across a palette of Sky Blues, Mossy Greens, Heather Pink and Earthy Orange tones. The colours are inspired by the natural landscape of the Mourne Mountains in Northern Ireland where we weave our products.
Salthill Tweed cushions feature a unique selvedge, visible on the reverse of the fabric, which is only possible by hand weaving. The tweed's grey shades are achieved by blending together un-dyed fleece. The white yarn is unbleached.
45cm x 45cm
Colour - Mauve/Mixed Grey
Fabric - 100% Wool
Cushion Inner - 100% Duck Feather
Related products
-
Mourne Textiles
Mended Tweed Cushion - Monochrome - IV
£125.00
Visit product page →A fabric designed by Gerd Hay-Edie for Irish fashion designer Sybil Connolly's 1956 Spring collection, Mourne's Mended Tweed was a real talking point amongst the fashion elite.
"Here comes the girl in a suit in a completely new tweed. The threads are enormous, the weave as clumsy as bad darning, but the fabric that looks so primitive is cunningly subtle and soft."
- Journalist Anne Scott-James (Lady Lancaster)
An unusual weave, the cloth acquires it's tactile, organic quality from 'wild' traditionally spun Pure Merino Donegal yarn. The Mended Tweed Black and White design was part of the Irish bedspread collection supplied to Hille during the 1960's.Colour - Black/White
Fabric - 100% Merino Wool
Cushion Inner - 100% Duck Feather
-
Mourne Textiles
Mended Tweed Cushion - Monochrome - V
£145.00
Visit product page →A fabric designed by Gerd Hay-Edie for Irish fashion designer Sybil Connolly's 1956 Spring collection, Mourne's Mended Tweed was a real talking point amongst the fashion elite.
"Here comes the girl in a suit in a completely new tweed. The threads are enormous, the weave as clumsy as bad darning, but the fabric that looks so primitive is cunningly subtle and soft."
- Journalist Anne Scott-James (Lady Lancaster)
An unusual weave, the cloth acquires it's tactile, organic quality from 'wild' traditionally spun Pure Merino Donegal yarn. The Mended Tweed Black and White design was part of the Irish bedspread collection supplied to Hille during the 1960's45cm x 45cm
Colour - Black/White
Fabric - 100% Merino Wool
Cushion Inner - 100% Duck Feather
-
Mourne Textiles
Mended Tweed Cushion - Grey Sampler
£145.00
Visit product page →A fabric designed by Gerd Hay-Edie for Irish fashion designer Sybil Connolly's 1956 Spring collection, Mourne's Mended Tweed was a real talking point amongst the fashion elite.
"Here comes the girl in a suit in a completely new tweed. The threads are enormous, the weave as clumsy as bad darning, but the fabric that looks so primitive is cunningly subtle and soft."
- Journalist Anne Scott-James (Lady Lancaster)
An unusual weave, the cloth acquires it's tactile, organic quality from 'wild' traditionally spun Pure Merino Donegal yarn. The Mended Tweed Black and White design was part of the Irish bedspread collection supplied to Hille during the 1960's.45cm x 45cm
Colour - Grey/Natural Sampler
Fabric - 100% Merino Wool
Cushion Inner - 100% Duck Feather
-
Mourne Textiles
Mourne Check Cushion - Bilberry
£75.00
Visit product page →Created by Gerd Hay-Edie and used by designer Robin Day for Hille in 1951, the Mourne Check was to become a signature fabric widely used for much of his furniture during his ten year period designing for the brand.
Proud to bring the Check back into production, our weavers pay careful attention to remain true to Gerd's archetypal designs. This durable linen, wool and cotton mix is carefully handwoven on the Kentish looms originally imported in the 1950's, with colours matched from original heritage palettes.
50cm x 50cm £125
30cm x 50cm £105
40cm x 40cm £75
Colour - Bilberry
Fabric - 50% Linen, 25% Cotton, 25% Wool
Cushion Inner - 100% Duck Feather
